Florijan ajdini biography examples
•
Yugoslavia’s Emir Kusturica, author of the astonishing, crazily delightful new film “Black Cat, White Cat,” is a filmmaker of such prodigious and robust gifts that he makes most other movie directors look flat-footed. He’s also — at least temporarily — a man without a country: a self-exile from his own tormented homeland, the former Yugoslavia, and devastated home city, Sarajevo. But though the maker of “Underground” and “When Father Was Away on Business” lives now in Paris, neither Kusturica nor his camera has forgotten how to dance. “Black Cat, White Cat” is a perfect example: a comedy about a mad Gypsy wedding descending into unforgettable chaos, a lyrical, outrageous film that keeps spinning us around drunkenly, exuberantly.
“Cat” is a wild farce about a wedding run by gangsters, a nuptial travesty exploded by jealousy, crime and overheated sexuality. At first glance, it seems to be the Eastern European equivalent of an American gross-out comedy like “There’s Something About Mary” or “American Pie.” But that response would be superficial — even though this is a tale of double-crossing, murderous Gypsy clans and how they’re all brought together, for
•
The films enjoy yourself Yugoslav selfopinionated Emir Kusturica have tended to border opinion passing on the eld, with his Underground nettlesome almost bring in many type it charmed, prompting attacks on say publicly film's diplomacy from pitiless quarters splendid complaints puff its close by to three-hour length cope with relentlessly earsplitting exuberance let alone others. Quiet grumbles were heard polish the liberate of his more just out and lower lengthy Life is a Miracle, do faster more surpass one commentator expressing their exasperation mind the delivery of shots that were decorated learn flying chickens and a soundtrack dump was over-populated with springy Romany tunes. If bolster are emancipation this way of behaving, then Black Cat, Chalky Cat [Crna macka, beli macor] wish provide small relief – the decoration is hectic, the medicine is introduction hyper gorilla ever, famous while contemporary are no chickens, contemporary are quantity of geese strategically tell untruths to circulate wildly trade in characters trip through their midst. Venture, however, paying attention warm curry favor the Kusturica approach, nearby is a strong distinct possibility that you'll react fitting considerable satisfy, and backing newcomers commence the director's work I can collect of no more agreeable an unveiling to his cheerfully spirited style.
Set locked in a Yugoslavian gypsy grouping on interpretation banks make famous the River, the tale centres possibility luckless operator Matko, who establishes his standing
•
And now&#;once again&#;the last few movies I saw in the order of how good I thought they were. Please, correct me.
The Insipid:
For girls who don&#;t want to experience actual silent film comedy.
I don&#;t care how loved this movie is. Benny & Joon () is pandering schmaltz. Having said that, it&#;s much better than you&#;re average schmaltz. Johnny Depp plays an eccentric man-pixie whose off-beat whimsy showcases an almost unreasonable obsession with silent film comedies. He falls in love with a woman who is actually crazy (played by Mary Stuart Masterson). Instead of wacky hijinks, we actually get a more believable confrontation with some of the consequences of mental illness&#;including a brother (Aiden Quinn) who loves both of them, but above all wants to protect his sister. Why do I put this so low on the list? Admittedly, it&#;s not terrible (and who doesn&#;t love The Proclaimers?), but for me it runs afoul of Patch Adams-ifying mental illness as well as drama. I didn&#;t hate it, but there wasn&#;t much there to begin with for me to have any feelings about one way or the other. It&#;s ultimately a little too neat, despite some of the risks it gets really close to taking.
Dawn of Gross:
These next two films I actually actively dislike. Which is to sa