Gautam malkani biography examples

  • He focused on the rudeboy scene, and tried to understand why young British Asians rejected integration into mainstream society.
  • Several examples of hybridity drawn from literature are included at the end of this chapter.
  • Gautam Malkani tells of a Britain that has never before been explored in the novel: a country of young Asian and white boys (desis and goras) trying to work out.

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  • gautam malkani biography examples

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    Staring at the Rudeboys: The Representation of Youth Subcultures in Gautam Malkani’s Londonstani and John King’s Skinheads

    Subcultures, Popular Music and Social Change Subcultures, Popular Music and Social Change Edited by The Subcultures Network Subcultures, Popular Music and Social Change, Edited by The Subcultures Network This book first published 2014 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2014 by The Subcultures Network and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-5945-1, ISBN (13): 978-1-4438-5945-5 CONTENTS Acknowledgements ................................................................................... vii Preface ........................................................................................................ ix Caroline Coon Contributors ..........................................................................................

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    Hybridity in Londonstani’s Italian Translation

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    This volume investigates how fictional literary varieties and characterising discourse in a literary text can be translated and reproduced in the target language and culture. For this purpose, selected examples from Gautam Malkani’s debut novel Londonstani (2006) and its Italian translation by Massimo Bocchiola (2007) are analysed and discussed, in terms of the solutions they offer for the study of linguistic variation as a translation issue, and in terms of the constraints involved in the translation of linguistic varieties.

    The contrastive analysis conducted on the novel and its Italian translation will serve to provide new insights into the several issues the translation of vernacular literature can raise. How can a translator linguistically recreate the hybrid identity of th