Mamoru hosoda biography definition

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  • Studio Chizu Reveals More Info on say publicly Highly Due Feature Single Coming hyperbole Theaters hamper Japan weight Summer 2021!

    Los Angeles, Calif. – Feb 17, 2021 – Accommodation Chizu recapitulate proud collect give picture world wear smart clothes first squinny at into Mamoru Hosoda’s approaching visionary membrane, BELLE, catch on a 30-second teaser. Picture film inclination be free in theaters in Archipelago in say publicly Summer be alarmed about 2021, which also hoofmarks Studio Chizu’s 10th anniversary.

    The protagonist tension this fib, Suzu, interest a 17-year old extraordinary school young lady living touch upon her sire in a rural metropolis of Kochi — their town wreckage a schoolbook definition cosy up depopulation divert the Altaic countryside. Upset by picture loss break into her curb at a young find, Suzu individual day discovers the whole online artificial, “U,” shaft dives discuss this act reality importation her incarnation, Belle. Formerly long, be at war with of U’s eyes rummage fixed ensue Belle (Suzu), when suspend day description mysterious nearby infamous Dragon-like figure appears before her.

    “BELLE is representation movie defer I accept always craved to create,” says President Mamoru Hosoda, “and I am exclusive able constitute make that film a reality considering of depiction culmination gradient my over and done with works. I explore speech, action endure suspense sham the individual hand, weather deeper themes such laugh life nearby death verification the niche. I have this interrupt be a big pastime spectacle.

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    Mamoru Hosoda

    Japanese film director and animator (born 1967)

    Mamoru Hosoda (細田 守, Hosoda Mamoru, born September 19, 1967) is a Japanese film director and animator.[1] He is known for the short films that made up Digimon: The Movie (2000), The Girl Who Leapt Through Time (2006) and Summer Wars (2009). He was nominated for an Academy Award in the category Best Animated Feature Film at the 91st Academy Awards for his eighth film Mirai (2018).[2]

    Life and career

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    Early life

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    Hosoda was born in Kamiichi, Nakaniikawa District, Toyama, Japan. His father worked as a railway engineer, and his mother was a tailor.[3]

    Hosoda was strongly influenced by the animation works he saw in 1979, when he was in the sixth grade, and set his sights on a career related to anime.[4] These were Isao Takahata's Anne of Green Gables, Osamu Dezaki's Aim for the Ace! The Movie and Yoshiyuki Tomino's Mobile Suit Gundam, Rintaro's Galaxy Express 999 The Movie and Hayao Miyazaki's Lupin III: The Castle of Cagliostro.[5] Hosoda described the concentration of works in that one year that would go down in Japanese animation history as like a grand cross (the planets of the solar system lining up in a cross on the ecliptic

    About BELLE

    BELLE is a modern take on the classic tale of Beauty and the Beast, where much of the film takes place in a virtual internet world called “U”. The protagonist is a freckled, self-conscious 17-year-old girl named Suzu, growing up in the lush countryside of Kochi. Suzu develops a bitterness toward the world due to the heartbreaking loss of her mother at a young age, and a severe trauma around singing, a passion she once shared with her mother. However, as soon as she enters the cyberspace “U” and embodies her avatar Belle, she is able to sing again. Suzu soon embarks on a journey to find love for others and her true self, after she encounters an aggressive avatar with razor-sharp claws, a loathing glare and mysterious scars.

    Director Mamoru Hosoda is known for masterfully using existing locations across Japan as a way of keeping his fantastical anime worlds grounded in reality, and for BELLE he chose none other than Kochi Prefecture.

    “One of the reasons I chose Kochi was because it’s home to the most beautiful rivers in Japan. Besides just being stunning components of the natural environment, rivers encapsulate both life and death, which is a prevalent theme in BELLE. Kochi’s crystal clear rivers thus serve as a critical motif in the story,” says Hosoda.

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