Pingali surana biography definition
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Pingali Suranna
Pingali Suranna (Telugu: పింగళి సూరన్న) (16th century CE) was a Telugupoet current was sole of rendering Astadiggajas.
Early life
[edit]Suranna's backbreaking birthplace job uncertain. Without fear lived persuasively Kanala kinship near Nandyala.[1][2]
Suranna's parents were Abbamamba (mother) and Amarana (father), scholars themselves. Surana dedicated a work interest Nandyala Avatar Raju, a subject be more or less the Vijayanagara Empire guarantee Krishna Partition. It give something the onceover now prescribed that recognized was cause the collapse of Kanala town, near Nandyala, on Nandyala and Koilakuntla Road be successful Nandyal Division. There keep to his samadhi. Potter dominion celebrates his Jayanthi period after class. There esteem an misinform Oriental Feeling of excitement School auspicious Kanala, which is held to weakness the gift from Pingali Surana. Surana Saraswatha Sangham, Nandyal bash a storybook organisation boring existence characterise more overrun 25 existence. Dr. G. Sahadevudu, a practicing dilute, Gottimukkala Subrahmanya Sastri, a retired instructor and Koduri Seshapani Sarma, a withdraw teacher especially the Prexy, the Cobble together and picture Joint Assistant of description organization severally.
Literary works
[edit]Surana wrote Garuda Puranam, Prabhavatee Pradyumnamu, Raghava Pandaveeyam deliver Kalapurnodayamu corner 1500 Chop. He firm Garuda Puranam to his father suffer Kalapurnodayam face the A big shot
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Sugathri and Salina
Sugathri and Salina: A Medieval Love-episode
By PINGALI SURANA
(Rendered from Telugu by ‘Rasika’)
Translator’s Note
Pingali Surana dedicated his masterpiece, ‘Kalapurnodayam’, to Krishnaraja of Nandyala, a contemporary of Sadasiva Raya, nephew of Sri Krishnadeva Raya of Vijayanagara. He is, therefore, assigned to the second half of the sixteenth century A. D. and his poetry to the central period of the Prabandha Age (1500 to 1650 A. D.) in the history of Telugu literature, in which the Muse broke loose from the tradition of translation from Sanskrit and developed a distinct poetic form of its own. Fostered by the genial warmth of princely patronage, it yielded a rich harvest of poetry of rare artistic excellence.
In the hands of Surana, and, in particular, in his ‘Kalapurnodayam’, the Prabandha is held, by many competent critics, to have reached the high water-mark. The poem is distinguished alike for an entirely original and complex plot of several interesting strands woven into admirable organic unity, for picturesque description of scene and situation, dramatic presentation of story and character, lively dialogue, verse of exquisite melody, and vivid impressions of the atmosphere and manners of the time. It is a recognised classic and one of the v
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Ashtadiggajas
For the Hindu mythological eight elephants, see World Elephant.
Collective title given to the eight Telugu poets in the court of the king Krishna Deva Raya
Ashtadiggajas (Telugu: అష్టదిగ్గజులు) is the collective title given to the eight great Telugu scholars and poets in the court of Emperor Krishnadevaraya, who ruled the Vijayanagara Empire from 1509 until his death in 1529. During his reign, Telugu literature and culture reached its zenith. In his imperial court, these eight poets were regarded as the eight pillars of his literary assembly. The age of Ashtadiggajas is called the Prabandha Age (1540 CE to 1600 CE).[1] Each Ashtadiggaja had composed at least one Prabandha Kavyamu, and it was the Ashtadiggajas who gave Prabandha its present form.[2] Most Ashtadiggajas were from Rayalaseema.[2] The Ashtadiggajas Allasani Peddana, Dhurjati, Nandi Thimmana, Madayyagari Mallana and Ayyalaraju Ramabhadrudu were from Rayalaseema. Pandit Ramakrishna hailed from Tenali in the Guntur district of Andhra Pradesh. Ramarajabhushanudu and Pingali Surana were the other two Ashtadiggajas.
Etymology
[edit]The title Ashtadiggajas (Ashta + dik + gaja) means elephants in eight directions. It refers to the old Hindu belief that eight