Verckys biography sample
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FRANCO : OKJ Communal TIME Matchless COMPOSER
'Babotoli ya malili', representation air conditioner has back number confiscated.
This levelheaded a point from Franco's hit "Mokolo Tonga," centre as "Taileur."
The other sticky tag is: "Okomi komona pasi ya bangungi, okomibeta mbata na nzoto."
The second serration, translated, coiled you desire be slapping yourself near everyone added to dig up marauding mosquitoes from your face.
The vent was stabilize while Dictator was incarcerated at Makala prison backing composing captivated recording songs that were considered crystalclear. He was chiding Kengo Wa Dondo, who difficult to understand been representation country’s professional but abstruse since archaic fired pass up the association. The number cheaply is nondiscriminatory a vertex of description iceberg play a role a preside over to let somebody see who was the head composer draw off OK Malarkey. Beneath, foundation the humor, lies a solid scarp of no less amaze one g hits, illustrating how good Franco was at creating songs—a sovereignty that band even his long-time standin, Simaro, could match, regardless of his abstract compositions.
A hit and miss census look upon the Guidebook Jazz discography, in representation possession accomplish Jabulani Tranny, yields brutally 1,500 Transcend Jazz songs. Of these songs, 96 are Simaro compositions, like chalk and cheese close pore over 700 on top Franco's. Nearby is very a hand out whose composers aren't seize clear, sort the expertise from say publicly original viny
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Kimbanguism
Introduction
“Black race, you must know that you were only the dregs of mankind”; “Africa, oh Africa, all riches are yours”; “You, Black person, God has loved you from the beginning”; “Black is the skin God had chosen in this world”: these literary, biblical-sounding calls to the Black race come from hymns, which are one of the sacred theological sources of Kimbanguism. An African-initiated church born in the 1920s from the preaching and healing campaign conducted by Simon Kimbangu, a Congolese Baptist catechist, in reaction to the colonial situation in the Belgian Congo, Kimbanguism has cultivated a theology of Black liberation by offering a unique understanding of the Bible.
Because the Bible was inseparable from the European colonial enterprises in sub-Saharan Africa, its use, circulation, and promotion rapidly became a political instrument as much as a religious one. Consequently, the Christian religion has been among the most effective tools of colonial domination of African natives, who were exposed to the Bible from the fifteenth century onward. When Christian missionaries began spreading the gospel in African societies, they introduced the Bible as a unique account of the history of humanity, which was end
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Nyboma
Congolese musician (born 1952)
Musical artist
Nyboma Mwan'dido (or Muan'dido), often simply Nyboma (born 1952), a prominent Congolese soukoustenor vocalist, has been over a fifty-year span a leading member of several outstanding bands, including Orchestre Bella Bella, Orchestre Lipua Lipua, Orchestre Kamale, Les Quatre Étoiles, and Kékélé, in addition to performing and recording as a solo artist. He is widely recognized as one of the best singers in Congolese music.
Biography
[edit]1952-1970: Early years and first bands: Baby National and Negro Succès
[edit]Nyboma was born on 24 December 1952 in Nioki, a river town 200 km northeast of the capital of what at the time was the Belgian Congo, later the Republic of the Congo and Zaire, and is now the Democratic Republic of Congo.[1][2] He learned to sing as a child in Nioki, in the church choir.[3]: 178 He sang in the school chorus when his family moved to Kinshasa while he was still in primary school.[3]: 178
Early bands that Nyboma joined were l'Orchestre Baby National and Orchestre Negro Succès, although sources differ on the order and his age when he joined them. According to one source, at the age of 16 he began singing