Yong duk jhun biography of michael
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Oscars Invite Record 110 Animation People Into Animation/VFX Branches
The Academy of Motion Picture Arts and Sciences extended invitations this week to 683 individuals in the motion picture industry to join its organization. That record-breaking number is more than double last year’s 322 invites.
Earlier this year, in response the highly public #oscarssowhite debacle, the Academy announced that it would “double the number of diverse members” by 2020. This new round of members is its first opportunity to showcase how the 89-year-old organization is following through with that goal, and as such, the Academy made sure to emphasize the diversity of who it has invited this year. According to the Academy, 46% of this year’s members are female, and 41% are people of color. If all these individuals choose to join the organization, it would boost the Academy’s total female membership from 25% to 27% and its people of color from 8% to 11%. (It should be noted that “people of color” is a subjective classification open to interpretation, and my hunch is that the Academy includes people who would traditionally be labeled white, like those of Middle Eastern descent, under their PoC-classification.)
Now, let’s get to the two branches that we care about—short films/feature animation and
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Yong Duk Jhun
Biography
Yong Duk Jhun is a talented and highly respected cinematographer and director in the world of animation, best known for his work with DreamWorks Animation on beloved films like Kung Fu Panda and Shrek Forever After. Jhun's expertise in visual storytelling and cinematography has been crucial in defining the look and feel of some of the most popular animated movies of the last two decades.
Early Life and Education
Born and raised in South Korea, Yong Duk Jhun developed an early interest in visual arts and storytelling. Growing up in an era where Western films and animation were gaining popularity, he was inspired by both American and Japanese animation, as well as the cinematic techniques of live-action films. His fascination with lighting, color, and camera angles in animated storytelling eventually led him to pursue a formal education in visual arts and cinematography.
Jhun moved to the United States to further his studies, attending the School of Visual Arts (SVA) in New York City. SVA is known for its strong programs in film, animation, and illustration, and Jhun took full advantage of the diverse courses offered. During his studies, he learned about the technical and artistic aspects of animation and cinematography, focusin